Metal.

It is the foundation of my art – for two contrasting and complementary reasons: the impermanence of the reflective surface and the permanence of intervention. The act of intervention creates a context in which the transience of reflections can be contemplated and perhaps temporarily understood.

To achieve this, I use various colors – inks or markers – and acids to etch the metal. In doing so, I create something enduring on the ever-changing reflections of the metal.

Currently, I am exploring the world of portraits and silhouettes. Sometimes, the foreground and background are sufficient, while occasionally an additional dimension is necessary. Each artwork requires an individual approach, driven by my insatiable desire to explore the dream world and the quantum realm.

The possibilities are endless, but when placed in the right context, one can catch a glimpse of the other side.